La viveza de la gente11/27/2022 ![]() Eduardo Romano also mentioned the killing of animals and the savagery of the Indians as intolerable scenes of violence (1991, 141). J.H.S., reviewer for La prensa, stated that ‘Se acumula sordidez, miseria, al punto que creemos que sobre más de la mitad de la mugre y de la sangre que se exhibe’ ( ‘Martín Fierro y las,’ 1968, 30). Another criticism pertained to the depiction of violence. More recently, however, Bollig has observed that even in cases of ‘infidelity’ to the original literary work, the film shows consistency with the poem’s themes (2012, 11). 4 Nonetheless, sociologist Julio Mafud praised Torre Nilsson’s film, noting its attention to the social spirit of the literary work (1968, 9). K.S., who reviewed the film for Análisis, a weekly magazine, characterized it as a ‘transcripción edulcorada’ ( ‘Desafío,’ 1968, 31). Curiously, the negative reviews mentioned both the lack and the excessiveness of the fidelity to the original poem as well as the numerous scenes of calamitous poverty and harsh violence. Clarín emphasized the reappearance of national topics in Argentine cinema and hoped that Martín Fierro’s success would encourage the production of similar films ( ‘Martín Fierro,’ 1968, non. Alcón’s performance was unanimously praised, as was the scene with the malón, the rest of the cast’s performances, the music by Ariel Ramírez, and the excellent photography. La gaceta gave it the maximum score for box office takings and quality, describing it as ‘admirable esfuerzo y valiente desafío’ and agreeing with the category ‘of special interest’ bestowed on the film by the NIC ( ‘Martín Fierro,’ 1968, 349). The positive ones stressed the film’s technical aspects. The evaluations-both positive and negative-were analogous in the different media outlets. Film critic Salvador Sanmaritano explains: As shown in Table 4, Martín Fierro was the only Argentine film to be ranked among the most popular films of 1968. La gaceta described its outstanding box office success during the opening week: ‘la gente de la calle esa que rara vez se ocupa del cine, no cesa de indagar sobre los méritos del filme y expresa que “no se lo perderán”’ ( ‘En el cine Martín,’ 1968, non. La viveza de la gente movie#Martín Fierro was released on July 4, 1968, in the Atlas Cinema, one of the best movie theaters in Buenos Aires. Besides Alcón, the stellar cast comprised María Aurelia Bisutti (1930–2010) as Fierro’s wife, Lautaro Murúa as Sargento Cruz, Graciela Borges as the Captive, Fernando Vegal as Vizcacha, and Walter Vidarte as Picardía. During shooting, Juan Carlos Neyra served as the historical advisor ( ‘Martín Fierro y las estadísticas,’ 1968, 30). With an approximate budget of over 100 million pesos, it was produced by Contracuadro, a company owned by Torre Nilsson and American investor André du Rona. Martín Fierro was a carefully planned film which enjoyed a superb reception. ![]()
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